{"id":59331,"date":"2023-03-07T20:11:58","date_gmt":"2023-03-07T23:11:58","guid":{"rendered":"https:\/\/vocesdelacomuna15.com.ar\/wordpress\/?p=59331"},"modified":"2023-03-07T20:12:58","modified_gmt":"2023-03-07T23:12:58","slug":"el-engano-de-mehdi-m-barsaoui","status":"publish","type":"post","link":"https:\/\/vocesdelacomuna15.com.ar\/press\/el-engano-de-mehdi-m-barsaoui\/","title":{"rendered":"El enga\u00f1o, de Mehdi M.\u00a0Barsaoui"},"content":{"rendered":"\n

Por Manuel Germano (@mangermano)<\/em><\/p>\n\n\n\n

Se estrena este jueves en algunas salas de Buenos Aires la \u00faltima pel\u00edcula del director tunecino Mehdi Barsaoui<\/strong>, la cual fue galardonada en el Festival de Venecia (Secci\u00f3n Orizzonti) y obtuvo el premio C\u00e9sar al mejor actor (Sami Bouajila).<\/p>\n\n\n\n

Cierta densidad y crudeza atraviesa esta historia, que narra la tragedia de una familia que viaja por una zona conflictiva en T\u00fanez y se ve envuelta en un tiroteo del cual sale gravemente herido el peque\u00f1o Aziz, el hijo \u00fanico de Meriem y Farez. Si bien Aziz logra ser atendido en un hospital, el cuadro no es para nada alentador, el ni\u00f1o necesita un trasplante de h\u00edgado de forma urgente y hay que encontrar a quien sea compatible para llevar a cabo la intervenci\u00f3n. Lo que en principio se supone obvio deja de serlo. Encontrar la forma de salvar a Aziz se convierte en el nudo argumental de \u00abEl enga\u00f1o\u00bb<\/em>, que tal como lo anuncia su t\u00edtulo, encierra una mentira que sale a la luz. \u00bfAcaso eso importa cuando lo que hay que salvar se encuentra por encima? \u00bfC\u00f3mo es la mirada que estas sociedades advierten en el rol de la mujer y el hombre, del enga\u00f1ado como \u00abv\u00edctima\u00bb?<\/p>\n\n\n\n

Barsaoui construye una pel\u00edcula lineal en t\u00e9rminos narrativos pero no por ella menos efectiva. El argumento est\u00e1 bien trabajado y sirve tambi\u00e9n para repensar ciertos roles en una sociedad cerrada y patriarcal como aquella en la cual transcurre la pel\u00edcula. En su hora y media de duraci\u00f3n \u00abEl enga\u00f1o\u00bb ofrece una estructura prolija desde lo t\u00e9cnico y ciertos interrogantes que abren a la reflexi\u00f3n desde el tema que elige tratar. \u00bfY si el enga\u00f1o hubiera sido al rev\u00e9s? \u00bfQu\u00e9 consecuencias o que situaciones hubieran sido modificadas? Algunas de estas preguntas generan en el espectador posibles respuestas, o por lo menos reflexiones sobre estos asuntos.<\/p>\n\n\n\n

Por momentos solemne, con escenas dram\u00e1ticas muy bien ejecutadas por sus int\u00e9rpretes (el trabajo de Sami Bouajila es extraordinario), y con un tratamiento en la imagen que se relaciona con la oscuridad en la que se encuentran inmersos los protagonistas, \u00abEl enga\u00f1o\u00bb <\/em>es una pel\u00edcula que se vuelve a\u00fan m\u00e1s valiosa cuando es tratada por el mensaje que transmite.<\/p>\n\n\n\n

Un film sobre el dolor y c\u00f3mo atravesarlo, o mejor dicho, como intentar superarlo, si es que eso resulta alcanzable.<\/p>\n\n\n\n

Opini\u00f3n: Buena.<\/strong><\/p>\n\n\n\n

Trailer oficial: https:\/\/vimeo.com\/797691318?embedded=true&source=vimeo_logo&owner=22593406<\/a><\/strong><\/p>\n\n\n\n

F I C H A   T \u00c9 C N I C A<\/strong><\/p>\n\n\n\n

Direcci\u00f3n: Mehdi M. Barsaoui
Gui\u00f3n: Mehdi M. Barsaoui
M\u00fasica: Amin Bouhafa
Fotograf\u00eda: Antoine Heberl\u00e9 <\/p>\n\n\n\n

D A T O S   T \u00c9 C N I C O S<\/strong><\/p>\n\n\n\n

T\u00edtulo original: Bik Eneich: Un filsaka 
Duraci\u00f3n: 96 min.
Pa\u00eds: T\u00fanez<\/p>\n\n\n\n

E L E N C O<\/strong><\/p>\n\n\n\n

Sami Bouajila, Najla ben Abdallah, Youssef Khemiri, Mohamed Ali Ben Jemaa, Noomen Hamda, Slah Msaddek, Nissaf Ben Hafsia.<\/p>\n\n\n\n

SALAS: 6<\/strong>
CIN\u00c9POLIS RECOLETA
CINEMARK PALERMO
SHOWCASE NORTE
ATLAS PATIO BULLRICH
CINE LORCA
CINEMA PARADISO \u2013 LA PLATA<\/p>\n

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<\/div>","protected":false},"excerpt":{"rendered":"

Por Manuel Germano (@mangermano) Se estrena este jueves en algunas salas de Buenos Aires la \u00faltima pel\u00edcula del director tunecino Mehdi Barsaoui, la cual fue galardonada en el Festival de Venecia (Secci\u00f3n Orizzonti) y obtuvo el premio C\u00e9sar al mejor actor (Sami Bouajila). Cierta densidad y crudeza atraviesa esta historia, que narra la tragedia de […]<\/p>\n

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